Freeform linguistic blasts of epiphany
SLEAZENATION  

Noon is pulling language apart, cutting and mixing it like digital scraps of music
THE TIMES  

Stripped rhythms and melodies rock steady, locked and looped, while splashes of stark brilliance rupture through as sound and meaning are re-interpreted.
THE BIG ISSUE

There are echoes of Burroughs/Gysin’s cut-up method, surrealist automatic writing, and most prominently the Oulipo’s literature of constraint. An experimental work you can dance to.
REVIEW OF CONTEMPORARY FICTION